<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-8958586017084789161</id><updated>2011-04-21T19:15:18.228-07:00</updated><category term='music'/><title type='text'>BackToAbbeyRoad-en</title><subtitle type='html'>Music</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://backtoabbeyroad-en.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8958586017084789161/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://backtoabbeyroad-en.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>H.Chase</name><uri>http://www.blogger.com/profile/09866746317408951616</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://1.bp.blogspot.com/_JL2KuNjstXA/SauHqwNozMI/AAAAAAAAAAM/gz3B9GSmT6Q/S220/Charles_Damascus(Trac%C3%A9Contour2b).jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>2</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8958586017084789161.post-4357197794719708522</id><published>2009-05-17T21:51:00.000-07:00</published><updated>2009-05-18T00:02:28.347-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='music'/><title type='text'>MONO(phonic) Memories part 2</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_JL2KuNjstXA/ShEDKcCzSlI/AAAAAAAAAE8/De0HyiWimq8/s1600-h/media.nl.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 214px; height: 88px;" src="http://4.bp.blogspot.com/_JL2KuNjstXA/ShEDKcCzSlI/AAAAAAAAAE8/De0HyiWimq8/s200/media.nl.jpg" alt="" id="BLOGGER_PHOTO_ID_5337050511272266322" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 51, 0);"&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;T&lt;/span&gt;he &lt;span style="font-style: italic;"&gt;catalyst spirit&lt;/span&gt; behind the driving force of those &lt;span style="font-style: italic;"&gt;golden times&lt;/span&gt;, full of amazing lyrics and huge melodies, lied in the continuous attainment of a full and genuine &lt;span style="font-style: italic;"&gt;sound&lt;/span&gt;.&lt;/span&gt; &lt;span style="color: rgb(0, 51, 0);"&gt;The available technology, often insufficient or so we believed at least, have sent to the Posterity the exact dimension of the &lt;span style="font-style: italic;"&gt;phenomenon&lt;/span&gt; due to the professionnalism of inspired sound-engineers and producers too. The book "&lt;span style="font-style: italic;"&gt;The Beatles Recording sessions&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;The Official Story of the Abbey Road Years&lt;/span&gt;" by Mark Lewisohn, give us some all- interesting insight about.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 51, 0);"&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;S&lt;/span&gt;ince the beginning of the 90's, with a great passion for, &lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_JL2KuNjstXA/ShEDRg_i0yI/AAAAAAAAAFE/NuR6rsLsGZg/s1600-h/medianknkn.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 164px; height: 165px;" src="http://4.bp.blogspot.com/_JL2KuNjstXA/ShEDRg_i0yI/AAAAAAAAAFE/NuR6rsLsGZg/s200/medianknkn.jpg" alt="" id="BLOGGER_PHOTO_ID_5337050632859865890" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(0, 51, 0);"&gt;young sound-&lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);"&gt;engineers relentlessly investigate to rediscover &lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);"&gt;the technical components and the secrets of those &lt;span style="font-style: italic;"&gt;high-sounding&lt;/span&gt; alchemies which have supported the &lt;span style="font-style: italic;"&gt;inborn&lt;/span&gt; creativity of the Absolute Myths.&lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);"&gt; To find something out about, reliable tips can be obtained beside &lt;span style="font-style: italic;"&gt;still living&lt;/span&gt; british super producers and sound-engineers. &lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);"&gt;After the evolution and the invasion of the digital technology, innumerable technical informations and details of the &lt;span style="font-style: italic;"&gt;analog era&lt;/span&gt; had been lost.&lt;/span&gt; &lt;span style="color: rgb(0, 51, 0);"&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_JL2KuNjstXA/ShEDeIIm3MI/AAAAAAAAAFM/txuBs6kdN3w/s1600-h/tn_t.14295_i.01_krkrokit_g2family-dw.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 127px; height: 173px;" src="http://2.bp.blogspot.com/_JL2KuNjstXA/ShEDeIIm3MI/AAAAAAAAAFM/txuBs6kdN3w/s200/tn_t.14295_i.01_krkrokit_g2family-dw.jpg" alt="" id="BLOGGER_PHOTO_ID_5337050849525292226" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(0, 51, 0);"&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;U&lt;/span&gt;sing this foreword as a preamble, I would like to say something about &lt;span style="color: rgb(51, 51, 0);"&gt;my new&lt;/span&gt; active nearfield monitors&lt;span style="font-weight: bold;"&gt; KRK Rokit G2&lt;/span&gt;. An absolute regain listening pleasure! After many years with professional monitors as were the sa&lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);"&gt;d and &lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_JL2KuNjstXA/ShEDoUOveaI/AAAAAAAAAFU/_BcZ4XyFiYU/s1600-h/tn_t.14295_i.01_krkrokit_g2family-dw.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 126px; height: 170px;" src="http://4.bp.blogspot.com/_JL2KuNjstXA/ShEDoUOveaI/AAAAAAAAAFU/_BcZ4XyFiYU/s200/tn_t.14295_i.01_krkrokit_g2family-dw.jpg" alt="" id="BLOGGER_PHOTO_ID_5337051024570939810" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(0, 51, 0);"&gt;dispirited Yamaha NS10, some pretty good Genelec or other less prestigious brands, I&lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);"&gt; finally have rediscovered, sitting in front of that stylish 70 watts pair of monitors, all the sound qualities that had fed my childhood.&lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);"&gt;&lt;span style="font-size:180%;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;S&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;etting up my &lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);"&gt;newest &lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);"&gt;&lt;span style="font-style: italic;"&gt;home studio&lt;/span&gt; monitoring, I've focused my analysis on record productions of the 60's to some tracks of the best british pop 'n rock stage of nowadays, having some touch with jazz and fusion of the past 20 years&lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);"&gt;.&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 51, 0);"&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;&lt;br /&gt;W&lt;/span&gt;hat Hell have I heard ? ...  Or should I say rediscovered ? I really had the great joy to regenerate my aural perception.&lt;br /&gt;Searching for a neutral monitoring but with a great-sounding, I had these things and then some, &lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);"&gt;linear but well-defined in every minor details &lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);"&gt;all over the frequencies chart impeccably well-balanced between 48 Hz and 20 kHz.&lt;/span&gt; &lt;span style="color: rgb(0, 51, 0);"&gt;&lt;span&gt;B&lt;/span&gt;ut it's realizing the huge and impressive abyss on the quality between tracks of the &lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);"&gt;60/70's and more recent ones, that I really enjoyed my new situation. With monitors of that kind, a medium trained ear, ruined by all mass formats of nowadays, would easily notice this condition of things.&lt;/span&gt; &lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_JL2KuNjstXA/ShEEbgY8KmI/AAAAAAAAAFc/k4bBN-LXYmg/s1600-h/w7MqFuRI874xr0v7iUmcXauZ_500.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 88px; height: 170px;" src="http://2.bp.blogspot.com/_JL2KuNjstXA/ShEEbgY8KmI/AAAAAAAAAFc/k4bBN-LXYmg/s200/w7MqFuRI874xr0v7iUmcXauZ_500.jpg" alt="" id="BLOGGER_PHOTO_ID_5337051904008268386" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 51, 0);"&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;B&lt;/span&gt;est records produced in the recent years, digital ambient-based, are of low quality compared to analogue records created in the &lt;span style="font-style: italic;"&gt;Swingin London era&lt;/span&gt;, in the &lt;span style="font-style: italic;"&gt;Psychedelic&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Pop Rock eras&lt;/span&gt;.&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 51, 0);"&gt;From this point, &lt;span style="font-style: italic;"&gt;frenzid&lt;/span&gt; investigations, recoveries and re-editions everywhere.&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 51, 0);"&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;&lt;br /&gt;B&lt;/span&gt;ut ... &lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_JL2KuNjstXA/ShEFM3eVAfI/AAAAAAAAAFk/WOW0CaxO_pU/s1600-h/DCP01259objcorrb%26w.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 150px; height: 200px;" src="http://4.bp.blogspot.com/_JL2KuNjstXA/ShEFM3eVAfI/AAAAAAAAAFk/WOW0CaxO_pU/s200/DCP01259objcorrb%26w.jpg" alt="" id="BLOGGER_PHOTO_ID_5337052752018473458" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(0, 51, 0);"&gt;outcomes aren't still here yet!&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8958586017084789161-4357197794719708522?l=backtoabbeyroad-en.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://backtoabbeyroad-en.blogspot.com/feeds/4357197794719708522/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://backtoabbeyroad-en.blogspot.com/2009/05/monophonic-memories-part-2.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8958586017084789161/posts/default/4357197794719708522'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8958586017084789161/posts/default/4357197794719708522'/><link rel='alternate' type='text/html' href='http://backtoabbeyroad-en.blogspot.com/2009/05/monophonic-memories-part-2.html' title='MONO(phonic) Memories part 2'/><author><name>H.Chase</name><uri>http://www.blogger.com/profile/09866746317408951616</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://1.bp.blogspot.com/_JL2KuNjstXA/SauHqwNozMI/AAAAAAAAAAM/gz3B9GSmT6Q/S220/Charles_Damascus(Trac%C3%A9Contour2b).jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_JL2KuNjstXA/ShEDKcCzSlI/AAAAAAAAAE8/De0HyiWimq8/s72-c/media.nl.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8958586017084789161.post-7776666122006455668</id><published>2009-05-16T03:19:00.001-07:00</published><updated>2009-05-17T21:49:35.406-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='music'/><title type='text'>MONO(phonic) Memories part 1</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_JL2KuNjstXA/Sg6TWvaiuKI/AAAAAAAAAEE/g5c2AnGHqD0/s1600-h/Phillips+tourne-disque+middle.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 126px; height: 99px;" src="http://1.bp.blogspot.com/_JL2KuNjstXA/Sg6TWvaiuKI/AAAAAAAAAEE/g5c2AnGHqD0/s200/Phillips+tourne-disque+middle.jpg" alt="" id="BLOGGER_PHOTO_ID_5336364627374815394" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(0, 51, 0);font-family:georgia;" &gt;&lt;span style="font-size:180%;"&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;W&lt;/span&gt;&lt;/span&gt;hat does it remain of the 1-way &lt;span style="font-style: italic;"&gt;slimline&lt;/span&gt; speaker and the old-fashioned 60's record-player, when the common technology in use was so limited &lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);font-family:georgia;" &gt;but the charming sound so peculiar ?&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="font-family: georgia;" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_JL2KuNjstXA/ShDailgwAEI/AAAAAAAAAE0/LvbjEWT3UIM/s1600-h/p065_1_02.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 134px; height: 116px;" src="http://1.bp.blogspot.com/_JL2KuNjstXA/ShDailgwAEI/AAAAAAAAAE0/LvbjEWT3UIM/s200/p065_1_02.jpg" alt="" id="BLOGGER_PHOTO_ID_5337005846153920578" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(0, 51, 0);font-family:georgia;" &gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;W&lt;/span&gt;hat does it happen to fantastic pick-ups and splendid speakers of the 70's &lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);font-family:georgia;" &gt;which design and elegance were mixed to the deep realism of the sound, which fleshy frequencies spread around our primary senses &lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);font-family:georgia;" &gt;without blasting ears away by a murderous high-wattage.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_JL2KuNjstXA/Sg6UWs9Xk4I/AAAAAAAAAEU/5j2U-KapFvE/s1600-h/eps-pop-deb60-holly.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 126px; height: 123px;" src="http://2.bp.blogspot.com/_JL2KuNjstXA/Sg6UWs9Xk4I/AAAAAAAAAEU/5j2U-KapFvE/s200/eps-pop-deb60-holly.jpg" alt="" id="BLOGGER_PHOTO_ID_5336365726227207042" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(0, 51, 0);font-family:georgia;" &gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-weight: bold;"&gt;W&lt;/span&gt;&lt;/span&gt;hat do we say about the perception of a &lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);font-family:georgia;" &gt;common music-listener&lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);font-family:georgia;" &gt; (who didn't know the meaning of &lt;span style="font-style: italic;"&gt;virtual&lt;/span&gt; &lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);font-family:georgia;" &gt;or &lt;span style="font-style: italic;"&gt;virtuality&lt;/span&gt; at all, as we intend it today)&lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);font-family:georgia;" &gt; ...?&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="color: rgb(0, 51, 0); font-family: georgia;" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_JL2KuNjstXA/Sg6UgA1FcvI/AAAAAAAAAEc/OtSkZiWMBiM/s1600-h/lp-70-hendrix.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 133px; height: 132px;" src="http://2.bp.blogspot.com/_JL2KuNjstXA/Sg6UgA1FcvI/AAAAAAAAAEc/OtSkZiWMBiM/s200/lp-70-hendrix.jpg" alt="" id="BLOGGER_PHOTO_ID_5336365886179996402" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(0, 51, 0);font-family:georgia;" &gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-weight: bold;"&gt;H&lt;/span&gt;&lt;/span&gt;ow many regrets for those LP sleeves and covers&lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);font-family:georgia;" &gt;, &lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);font-family:georgia;" &gt;ungenerous &lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);font-family:georgia;" &gt;with&lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);font-family:georgia;" &gt; credits, &lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);font-family:georgia;" &gt;but so pictorial and pleasant.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_JL2KuNjstXA/Sg6UwU5FWJI/AAAAAAAAAEk/hBI7aBaRLHc/s1600-h/cream.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 125px; height: 124px;" src="http://3.bp.blogspot.com/_JL2KuNjstXA/Sg6UwU5FWJI/AAAAAAAAAEk/hBI7aBaRLHc/s200/cream.jpg" alt="" id="BLOGGER_PHOTO_ID_5336366166443382930" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(0, 51, 0);font-family:georgia;" &gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-weight: bold;"&gt;A&lt;/span&gt;&lt;/span&gt;nd what about ... &lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);font-family:georgia;" &gt;t&lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);font-family:georgia;" &gt;he mysterious &lt;span style="font-style: italic;"&gt;nebula&lt;/span&gt; surrounding all the record production &lt;span style="font-style: italic;"&gt;smart&lt;/span&gt; &lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);font-family:georgia;" &gt;world of those days,&lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);font-family:georgia;" &gt; from simple performers to producers via great professional sound-engineers?&lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);font-family:georgia;" &gt; Have we received some inheritance from them, at the beginning of the new century?&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="font-family: georgia;" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_JL2KuNjstXA/Sg6VGUS__UI/AAAAAAAAAEs/lI9MncUJP8E/s1600-h/bestpop2-cat-stevens.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 133px; height: 133px;" src="http://1.bp.blogspot.com/_JL2KuNjstXA/Sg6VGUS__UI/AAAAAAAAAEs/lI9MncUJP8E/s200/bestpop2-cat-stevens.jpg" alt="" id="BLOGGER_PHOTO_ID_5336366544240770370" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(0, 51, 0);font-family:georgia;" &gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-weight: bold;"&gt;U&lt;/span&gt;&lt;/span&gt;s, young fellows and music lovers &lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);font-family:georgia;" &gt;of those times, we eagerly &lt;span style="font-style: italic;"&gt;breathed in&lt;/span&gt;, trying to glamourise and to sophisticate things, looking for fascinant and genuine stuff, always craved for something new and different.&lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);font-family:georgia;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 51, 0);font-family:georgia;" &gt;This mood was always supplied by an unceasing curiosity, constantly fed by pop and rock albums since 1962 until 1976, &lt;span style="font-style: italic;"&gt;unprecedented era&lt;/span&gt; in all the popular music history of the XX° century.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8958586017084789161-7776666122006455668?l=backtoabbeyroad-en.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://backtoabbeyroad-en.blogspot.com/feeds/7776666122006455668/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://backtoabbeyroad-en.blogspot.com/2009/05/monophonic-memories-part-1-what-does-it.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8958586017084789161/posts/default/7776666122006455668'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8958586017084789161/posts/default/7776666122006455668'/><link rel='alternate' type='text/html' href='http://backtoabbeyroad-en.blogspot.com/2009/05/monophonic-memories-part-1-what-does-it.html' title='MONO(phonic) Memories part 1'/><author><name>H.Chase</name><uri>http://www.blogger.com/profile/09866746317408951616</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://1.bp.blogspot.com/_JL2KuNjstXA/SauHqwNozMI/AAAAAAAAAAM/gz3B9GSmT6Q/S220/Charles_Damascus(Trac%C3%A9Contour2b).jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_JL2KuNjstXA/Sg6TWvaiuKI/AAAAAAAAAEE/g5c2AnGHqD0/s72-c/Phillips+tourne-disque+middle.jpg' height='72' width='72'/><thr:total>0</thr:total></entry></feed>
